May 30, 2016

Frictionless Books

booksLast summer I went on a Great American Road Trip. In this case, I drove from New Orleans to my home in Sonoma, California. In preparation for such a journey, my wife and I of course went to our local public library to find and download audio books we would like to listen to on our journey.

As the savvy among you already know, it was more of a hassle than it needed to be, thanks to the way in which e-book vendors choose to make their materials available to libraries and their users. But that isn’t the particular gripe I am writing about now. No, I have a different complaint.

As a library user I desperately desire frictionless ebooks. Or, dare I dream, even frictionless books (whatever the format). What I mean is this: why should format matter? WHY? If I am legally able to read a book, why should format matter? Why can’t I simply read it the way I want to?

For example, on this trip we downloaded audio books since we were driving a long way. But guess what? Our trip ended. And yet I had no option to continue reading any of those books as an ebook on my iPad. Why not? If I buy a book in paper why would I not also have the option to have it on my phone or tablet?

I realize that none of this catches my colleagues unaware. We are in a world of hurt and we know it all too well. But seeing this through the eyes of a consumer every now and then is a good idea. Sometimes we get too complacent about the fact that we forced to do things certain ways and therefore are more likely to throw up our hands.

My summer trip reinforced my opinion that we must continue to fight atrocious licensing agreements, user-hostile interfaces, and backward technological impediments that are all too often part and parcel of the way libraries are forced to license and offer e-books. Until we reach the nirvana that every library user desires of frictionless books, we must continue to fight the good fight.



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On October 14, 2015 Library Journal, School Library Journal, and thousands of library professionals from around the world gathered for the 6th annual Digital Shift virtual conference to focus on the challenges and opportunities presented by the digital transition’s impact on libraries, their communities, and partners. Now available on-demand, this year’s program provides actionable answers to some of the biggest questions our profession faces for and from libraries of all types – school, academic, and public and features thought-provoking keynotes from John Palfrey, author of BiblioTech: Why Libraries Matter More Than Ever in the Age of Google, and Denise Jacobs, tech leader, author, and creativity evangelist.
Roy Tennant About Roy Tennant

Roy Tennant is a Senior Program Officer for OCLC Research. He is the owner of the Web4Lib and XML4Lib electronic discussions, and the creator and editor of Current Cites, a current awareness newsletter published every month since 1990. His books include "Technology in Libraries: Essays in Honor of Anne Grodzins Lipow" (2008), "Managing the Digital Library" (2004), "XML in Libraries" (2002), "Practical HTML: A Self-Paced Tutorial" (1996), and "Crossing the Internet Threshold: An Instructional Handbook" (1993). Roy wrote a monthly column on digital libraries for Library Journal for a decade and has written numerous articles in other professional journals. In 2003, he received the American Library Association's LITA/Library Hi Tech Award for Excellence in Communication for Continuing Education. Follow him on Twitter @rtennant.


  1. Steve Casburn says:

    Many record companies that sell new vinyl include a download code so that the buyers can also get the digital files free.

  2. Word. I think the vinyl + download model is a great precedent to aspire towards.

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